On-Stage Stands RS7500 Receives "Best In Show" Award At Summer NAMM 09

August 10, 2009

On-Stage Stands was honored at this year’s Summer NAMM for the new RS7500 Tiltback Amplifier Stand. The RS7500 was awarded “Best In Show” under the “Gotta Stock It” category.

On-Stage Stands was honored at this year’s Summer NAMM for the new RS7500 Tiltback Amplifier Stand. The RS7500 was awarded “Best In Show” under the “Gotta Stock It” category. Award selections were made by a panel of six retail buyers representing  single-store operations, e-tailers, and small to mid-sized chains. Panelist George Hines, owner of George's Music, a 10-store chain out of Berwyn, PA, explains the selection: “This stand holds amplifiers, big and small, at an angled height and has an optional mic attachment. It’s high quality, lightweight and can handle many sizes and weights. It’s a mass-appeal product that should get great turn and profit.”

On-Stage Stands is proud of the “Best In Show” award. It stands as a recognition of the brand's committment to providing its dealers with innovative and profitable products like the RS7500.

About the RS7500:

The RS7500 is the ideal solution for guitar players who want to hear themselves better, who want to maximize the operational life of their amplifiers’ components, and who want a less cluttered, more professional stage area.

The RS7500 solves three major problems encountered by performing guitarists. First, 5 tilt positions allow the amplifier to be aimed up towards the player: sharp angles for shallow stages and gentle angles for deep stages. With the speakers directed at their ears, rather than their ankles, players and band mates can hear an accurate tone without missing highs and mids. Second, directing sound towards the player allows for better monitoring, meaning the amp can be operated at a lower volume, extending the life of tubes, speakers, etc. Hearing better also cleans up the stage mix and improves FOH sound. Third, the integrated threaded shaft end eliminates the need for additional mic stands. It accepts all standard boom arms and goosenecks, allowing the amplifier to be miked directly from the RS7500, saving precious space on stage. Additionally, the RS7500 keeps amplifiers off of dirty floors, reduces the likelihood of pinched instrument cables, and adds a professional look to any stage set up.

With a weight capacity of 100 lbs, the RS7500 can support virtually any new or vintage combo amplifier. Its wide 28” stance provides exceptional stability for 1x10, 2x10, 4x10, 1x12, 2x12, 1x15, and other speaker configurations. All contact points, including the adjustable sleeve on the upper shaft, are padded with black velveteen rubber, reducing vibration and preventing scratches. Angle adjustments of 10-20 degrees are made via a telescoping rear leg. Other features include non-slip rubber feet and a black powder coat finish. As with all On-Stage Stands tripod designs, the RS7500 Tiltback Amplifier Stand folds for easy transport and storage. Stable, sturdy, and only $49.99 list, the RS7500 is ideal for professionals and amateurs alike.





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